After a wonderful meal on Thursday evening our group of painting friends accepted owner Gertrud Sorensen's kind invitation to come to her home and studio overlooking Galeairy Lake. It was a wonderful evening of sharing ideas and stories... highlighted by a viewing of a DVD that documented the life of Doris McCarthy... a Canadian painting pioneer... a painter I have long admired (from a distance)for her commitment to her Art... and for energy and giving spirit.I left Gertrud's that evening... my own painting spirit further kindled by what I had seen in the documentary.
On Friday morning... after a good solid sleep and fine breakfast, I set out alone in search of new subjects down the old Madawaska Railroad bed...a goldmine of waterfalls,bog and swamp subjects.The ground was (thankfully) still hard frozen... but rutted badly from the late snowmobile and four wheel traffic. This rail bed has been a veritable highway into the back end of this area... but it has suffered greatly due to the lack of caring (and garbage) that the above mentioned users have inflicted upon it. The wooden covering on the one bridge spanning a section of the river has been so badly damaged that it has been condemned and barriers [placed at either end. A few ruin it for all.Sound familiar?
It didn't take long to back track and find a nice shoreline view... out of the cold wind... in the sun... with no noise except the chatter of ice shards along the river's edge. I decided to use the additive/subtractive method using the freshly toned panel method as my introduction to create a monochromatic study/base. It would serve as my method at the demonstration I had to conduct later in the evening at the Lodge. I spent a wonderful two and a half hours on a 16x20 inch canvas... "Melt water Reflections" and then headed into town for a steaming bowl macaroni-tomato soup and cup o' coffee.
Refreshed and re-energized... I headed back to the Lodge to see if my old friend and mentor Poul Thrane had arrived as anticipated. I was bunking with Poul for the rest of the trip and looked forward to painting with him again. Just before the Lodge site, I spotted his white van perched on top of the hill overlooking Shanie Ride's old log homestead... a favourite subject for many paintings over the year.
At 85 years young, Poul prefers to paint in the comfort of his van... comfortably rigged and "beveraged" to enable carry on plein air painting in much the same way we have always done over the years. I quickly set up my easel close by and lept into the subject with an energetic and confident manner. The painting fairly "painted itself" from start to finish and I was finished the 16x20 inch panel, "Madawaska Relic" entirely inside one and a half hours of steady painting. This painting is my favourite of the trip. Wish I could paint this way all of the time!
